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Its versatility was due to the fact it was originally created for advertising and film, where it quickly became the industry standard for magazine and billboard ad work.
History of Photoshop
The very first version of Photoshop was designed to mimic the way magazines worked at the time. Rather than have print adverts running off of a computer, magazine editors would scan in the artwork to a computer using a flatbed scanner, and run the images through the page layout software, which would put the pages together using page graphics.
While page layouts were used for print advertisements at the time, it wasn’t until the mid-1970s that the computer version of Photoshop was created. Its first version, released in 1987, was sold without a demo version. The program has since become widely available in less than two years of existence and there is a long history behind it.
During the time of its early versions, many computer magazines were sold as a magazine bundle. For example, Apple Computer’s first Macintosh program bundle was sold for $99, and included AppleWorks, the Finder, and Photoshop software.
The creation of Photoshop
Originally made for Apple Computer and sold for $19,000, Photoshop began as Computer Graphic Design (CAD) software. Its creation began with a team at Apple, who were part of a group called The Garage that focused on innovating creative images. Eventually, this group of people produced a graphic program called Imagecraft that was used to transform photos into works of art.
imagecraft was something that was outside of the scope of most computer users, and was even seen as a luxury. In order to increase popularity and distribution, The Garage decided to create an image editing program for them to use in their advertising, which they called Photoshop. It was the first true image manipulation program, and its development was led by Scott Myers who is also the founder of Photoshop.
The final version of Photoshop was released in 1989. It was made available to the public on June 24th, 1988. The name of the program was inspired by the name of the Apple computer. It was called Macintosh Workshop, and was part of the Macintosh Plus, which had the MacIntosh’s specific graphics software.
The program had many positive reviews due to its clean and simple user interface. It had a clean, friendly environment that was designed to make you feel comfortable in its context.
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All the Photoshop features that I discuss in this guide can be found in Photoshop Elements. The main advantage of Photoshop Elements is that it can be installed side-by-side with Photoshop, if you have the first version (5.6).
Upgrade to Photoshop Elements 6 at an affordable price.
After you have installed it, you can read about setting up an account in this article on how to use Photoshop Elements effectively. There you will also find useful articles, that will give you some shortcuts to speed up your workflow.
Disclaimer: I’m a colleague of the author of this guide (Didier Vernat) and I’m an avid Photoshop user. So I hope I can help you, but only as a complement to the official guide.
If you are ready to upgrade, here’s the best way to do it:
Create a free Adobe Photoshop Elements 6 trial account to test Photoshop Elements 6. Go back to the website and click “Buy Now” to purchase the software.
The price is $45 and is a good deal. Take advantage of the discounted price.
This is probably the fastest way to get up and running with Photoshop Elements. If you buy it, you can use it exclusively (even for your professional work), and you will have access to the tutorial videos as well as the full documentation in PDF format.
If you are new to Photoshop, I would suggest you follow the official tutorial, since this is available in-app when you are getting started with Photoshop Elements. This will help you to set up your computer, and get familiar with some of the basic operations that can be done with Photoshop Elements.
This will be your main tool for working on digital photos, which is what most people do with Photoshop Elements. Your workflow is built around applying a photo-editing effect, layer masking, dodging and burning, retouching and making adjustments to colors, etc.
The tools in Photoshop Elements are quite intuitive and there is an extensive tutorial to help you get started. Many photographers don’t really need to learn Photoshop to make great images, but they can find that Photoshop Elements offers many powerful features for photographers and for people who want to add more digital editing to their photography.
Recommendation: Consider that Photoshop Elements is made for beginners as well as advanced users. It has very powerful tools and it’s very easy to learn, but the interface is pretty simple
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The Paint Bucket tool allows you to quickly fill in empty areas of an image. The shape created by the Paint Bucket can be filled with your own color, just like the original shape is.
The Liquify tool allows you to distort shapes and make them more exciting. Its options include creating planes, bulges and bumps, warping patterns, and other general transformations of any shape.
The Gradient tool allows you to create custom-drawn gradients. The tool allows you to create gradients of any length, shape, color, and size.
The Levels tool lets you adjust the contrast and brightness of an image. The tool operates on a color wheel, where you move a slider across the wheel to adjust brightness. The tool also lets you adjust contrast, but the contrast adjustment affects both brightness and darkness, while the Levels tool only effects brightness.
The Magic Wand tool allows you to select a region in an image, and make that region lighter or darker.
The Lasso tool allows you to draw on an image, and automatically select all the pixels that are within the shape you created.
The Masking tool allows you to create a selection of an image (such as a silhouette), so that you can create a new image from that selection.
The Pencil tool allows you to draw on an image, filling it with color as you go.
The Paths tool lets you trace lines in an image, like the outline of a drawing.
The Pen tool allows you to create or modify lines in an image, including straight lines, circles, rectangles, and lots of other shapes.
The Paint Bucket tool allows you to fill an empty area of an image with a color.
The Smudge tool allows you to blend two colors together to create a new color. It is similar to the Dodge and Burn tools, which can be used to selectively lighten or darken an area of an image.
The Spot Healing Brush tool is a smart healing tool that can quickly repair small areas that have been damaged. It automatically recognizes the color of pixels that match the color of the pixels in the area it is repairing.
The Whirl tool allows you to create swirling patterns in an image.
Effects allow you to apply special effects to an image, including distortions, filters, and effects that mimic popular techniques such as watermarking, creating special effects with brushes, and creating patterns. The Filter Gallery allows you to
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The head of the NSA has denied reports that the agency snooped on the personal phone records of President Barack Obama and his staff.
General Keith Alexander, who was testifying on Capitol Hill today about the massive telephone surveillance program known as PRISM, said in a statement that he didn’t know what the New York Times reported.
‘I don’t know of any surveillance of President Obama. I don’t know of any surveillance of any White House official,’ he said.
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He said he only knew of the program involving telephone calls after Sept. 11, 2001, when it was revealed in the press by former NSA contractor Edward Snowden (pictured on American television)
However, the Wall Street Journal said today that the information came from phone records, and the newspaper said it would be a major story if it’s accurate.
Alexander would also not confirm or deny that NSA intercepted any phone calls between Snowden and Guardian reporter Glenn Greenwald, who was the first to reveal the extent of the surveillance program in the UK newspaper.
‘It is not possible to confirm or deny whether or not the NY Times is accurate,’ he said.
The reason he would not say that is a journalist can’t be prosecuted for asking questions, which is the same reason he couldn’t say whether or not the USA is collecting metadata on all of its citizens’ phone conversations, which is the same reason he didn’t deny that the USA is tracking the metadata of all American phone calls.
Alexander told the Senate Judiciary Committee today that the NSA was collecting call records and other data from people in the United States as part of a secret court order from the Foreign Intelligence Surveillance Court (FISC).
Alexander, who has headed the NSA since 2006, told the House Judiciary Committee on Wednesday that the agency was searching only metadata – that’s the phone numbers, email addresses and the time of calls in the U.S. – as part of the PRISM program, and was only collecting the metadata of foreign calls.
But today he said that the NSA was targeting the metadata of everyone in the U.S.
He testified that the NSA was only collecting metadata and no actual communications, and this is the same reason he wouldn’t deny that the NSA is collecting the metadata of all American phone calls.
‘We have a program right now that’s targeting metadata, not content. We are only targeting metadata to make sure no one is engaging in lawless behavior,’ he told the House
Mac: OS X 10.6 or later
Windows: Windows 7 or later
Linux: Ubuntu 10.6 or later
Graphics card: DirectX 9-compatible graphics card with Shader Model 2.0, Pixel Shader 3.0 support (hardware requirements vary by game)
CPU: Any CPU processor, 2 GHz or faster.
Hard disk: 50 MB of available space
Operating system: OS X 10.6 or later, Windows 7 or later, or Ubuntu 10.6 or later